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X-WR-CALDESC:Veranstaltungen für Netzwerk freier Berliner Projekträume und –initiativen
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DTSTART;TZID=Europe/Berlin:20220210T180000
DTEND;TZID=Europe/Berlin:20220210T190000
DTSTAMP:20260504T052330
CREATED:20220202T125050Z
LAST-MODIFIED:20220202T125050Z
UID:14544-1644516000-1644519600@www.projektraeume-berlin.net
SUMMARY:A trans feat. Crawford and Guéneau _ LOST
DESCRIPTION:Louise Crawford and Stéphan Guéneau:  LOST \n“LOST” in the A trans Vitrine of Zoologischer Garten Underground station on the U9 Line in Berlin marks the artists presence in this urban setting. A neon tag taking the first two letters from their forenames creates a playful paradox on navigating through a city’s organized urban network. \nLouise Crawford and Stéphan Guéneau live and work as artists in Berlin. \nA KRAATZ project within the series A Lost Paradise City. \nExhibition \n11.02.2022 – 09.04.2022     Schaufenster 24h \n  \nVitrine U-Zoologischer Garten (U9) in 10787 Berlin \nOpening  Thursday\, 10.02.2022           at 7 pm \n  \n 
URL:https://www.projektraeume-berlin.net/termin/a-trans-feat-crawford-and-gueneau-_-lost/
LOCATION:Vitrine U-Zoologischer Garten (U9)\, Hardenbergplatz\,\, Berlin\, Berlin\, 10787\, Deutschland
CATEGORIES:Ausstellung,Projekt im öffentlichen Raum,Vernissage
ATTACH;FMTTYPE=image/jpeg:https://www.projektraeume-berlin.net/wp-content/uploads/2022/02/Crawford-Gueneau_Lost.jpg
ORGANIZER;CN="A TRANS":MAILTO:in@atrans.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220211T170000
DTEND;TZID=Europe/Berlin:20220211T180000
DTSTAMP:20260504T052330
CREATED:20220211T091144Z
LAST-MODIFIED:20220405T172848Z
UID:14559-1644598800-1644602400@www.projektraeume-berlin.net
SUMMARY:DREI
DESCRIPTION:Ninja Christoph\nFaiza Fiaz\nBernd Schaale \n\n11.2. –  20.2.2022 \nOpening: Friday 11.2.2022\, 6-10 PM \nInvited by Susanne Ring \n\n\nThrough my work as artistic director of the studio in the Macherei Johannesstift Diakonie from 2013-2018\, the artists Ninja Christoph\, Faiza Fiaz and Bernd Schaale and their work are very close to me. I was particularly impressed by the idiosyncrasy of their visual language and the inexhaustible continuity of their artistic production. \nNinja Christoph is originally known to me as a draughtswoman. In this exhibition she shows colour-intensive linocuts. The motifs seem to be taken from everyday life\, such as „The Leash“ or „Man in Cave“. But they can also be inspired by fairy tales or stories or show biographical references. \nFaiza Fiaz’s works move in the field of tension between drawing and painting. The principle of sequence and connection is predominant. An impression of pearl necklace-like sequences is created\, which always spread out on both sides over the entire picture support. Connections are not only created by the sequence of the individual graphic elements\, but also by the treatment of the reverse side of the sheets\, which is always present as a „shadow image“ for the viewer. A transfer of this principle can be found in more recent textile works\, in which the moment of transparency is replaced by that of application. \nBernd Schaale’s world of motifs is very concrete and very direct. His drawings reflect his immediate surroundings and environment\, such as the „skeleton“ from the hospital room of the Macherei\, the emergency ambulance with blue lights or his self-portraits. \n\n 
URL:https://www.projektraeume-berlin.net/termin/drei/
LOCATION:HilbertRaum\, Reuterstr. 31\, Berlin\, Berlin\, 12047\, Deutschland
CATEGORIES:Ausstellung
ATTACH;FMTTYPE=image/jpeg:https://www.projektraeume-berlin.net/wp-content/uploads/2022/02/EINLADUNG_Faiza-Fiazo_T_III_web.jpg
ORGANIZER;CN="HilbertRaum":MAILTO:info@hilbertraum.org
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BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220212T090000
DTEND;TZID=Europe/Berlin:20220212T120000
DTSTAMP:20260504T052330
CREATED:20220205T153812Z
LAST-MODIFIED:20220209T175103Z
UID:14552-1644656400-1644667200@www.projektraeume-berlin.net
SUMMARY:Workshop zu Sol LeWitts „Open Cubes“
DESCRIPTION:Workshop zu Sol LeWitts „Open Cubes“\nmit Daniela von Damaros\, Kuratorin der Ausstellung  „un-structured“ \nSamstag\, 12. Februar 2022\, 10 – 15 Uhr\nDauer: ca. 3 Stunden\nTreffpunkt: Axel Obiger\, Brunnenstrasse 29\, 10119 Berlin-Mitte\nIn deutscher Sprache\, für Erwachsene. Max 8 Teilnehmer \nDie Teilnahme an der Veranstaltung ist kostenlos\, eine Anmeldung ist jedoch obligatorisch.\nAnmeldeschluss ist der 10. Februar 2022 (Donnerstag) 19:00 Uhr\nDer Workshop findet unter 2G+Regeln statt \nBESCHREIBUNG \nDie aktuelle Ausstellung „un-structured“ bei Axel Obiger wird begleitet von einem Workshop.\nUnter der Überschrift „Sol LeWitt’s „Open Cubes““ erkunden die Teilnehmer*innen im Rahmen des Workshops die Skulptur des Künstlers am Halleschen Ufer in Berlin-Kreuzberg. \nDer US-amerikanische Künstler Sol LeWitt (1928-2007) bezeichnet seine minimalistischen Arbeiten nicht als Skulpturen\, sondern als „Strukturen“. Seine Würfelstruktur von 1993 am Halleschen Ufer in Berlin-Kreuzberg nimmt mit dem gestalterischen Baustein des Würfels Bezug auf die quadratischen Fenster der Hausfassade des Familiengerichts. Im Gegensatz zur Architektur bleibt die vermeintlich statische Arbeit LeWitts dynamisch. Mit jeder Bewegung des Betrachtenden verändert sich die Struktur des Würfels. Der Künstler nennt solche Strukturen „Open cubes“\, denn sie fragen nach einer vervollständigenden Geste durch die Art und Weise wie das Auge und der Geist des Betrachtenden mit der Struktur interagieren. \nIm Workshop\, der für jung und alt konzipiert ist\, nähern sich die Teilnehmer*innen dem Strukturprinzip des Künstlers vor Ort spielerisch und zurück im Ausstellungsraum über eine eigene kreative Arbeit. \nAufgrund der begrenzten Teilnahme (8 Personen) wird um Anmeldung gebeten. Die Teilnahme ist kostenlos und der Treffpunkt ist am Samstag\, 12. Februar 2022\, 10 Uhr in der Brunnenstr. 29\, 10119 Berlin.\nZutrittsbedingung ist ein 2G+ Nachweis.
URL:https://www.projektraeume-berlin.net/termin/workshop-zu-sol-lewitts-open-cubes/
LOCATION:Axel Obiger\, Brunnenstraße 29\, Berlin\, Berlin\, 10119\, Deutschland
CATEGORIES:Workshop
ATTACH;FMTTYPE=image/jpeg:https://www.projektraeume-berlin.net/wp-content/uploads/2022/02/le-witt-incomplete-open-cubes-01.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220225T170000
DTEND;TZID=Europe/Berlin:20220225T210000
DTSTAMP:20260504T052330
CREATED:20220219T145958Z
LAST-MODIFIED:20220405T172743Z
UID:14571-1645808400-1645822800@www.projektraeume-berlin.net
SUMMARY:OUTSIDE THE CAVE - FEMALOSION
DESCRIPTION:PATRICIA DETMERING\nANNIKA STOLL\nOPENING: FRIDAY 25.2.2022\, 6 – 10 PM\nDURATION: 25.2. – 6.3.2022\nCURATED BY SANDY BECKER\n(INVITED BY NIINA LEHTONEN BRAUN)\nWhat are the dimensions of human thought? Is it possible for humanity to comprehend its own cognitive limits? And\, if that’s the case\, what exists beyond the threshold of our understanding? Perhaps dreams\, affect and fantasy offer us a path forward into the unknown. As our models of the future suggest the necessity of increasingly fundamental transformations in the present\, it becomes urgently clear that we must develop new narratives and forms of coexistence. These concerns take center stage in the work of Patricia Detmering and Annika Stoll; their exhibition “outside the cave – femalosion” presents an ecological gestalt that is distinctly feminist in character. Respectively adopting the salamander and octopus as their symbolic familiars\, the artists embody their theoretical approaches to develop a dialogue between texts\, timelines\, and species. \nThe octopus\, an invertebrate\, gelatinous cephalopod\, is creative and highly intelligent\, capable of dreams\, play and learning. Each of its tentacles is able to think and feel independently. It simultaneously encounters and transforms the world through these tentacles; for the octopus\, the dialectic between mind and hand\, thought and action as experienced by humans doesn’t exist. Perhaps we need to develop ‘tentacles‘ of our own in order to better confront the fundamentally unstable membrane between self and world\, to look more sensitively at our environment and make contact with each other. \nLong a source of fascination for the would-be scientists of history\, the salamander was once imagined to be the offspring of dragons and serpents\, a creature born from fire. In fact\, reality is even stranger than fairy tales: note\, for instance\, its ability to secrete poison from the spots that cover its skin. Even more extraordinary is its reproductive cycle: research has shown that female salamanders can store their fertilised eggs for years and give birth to their young at a time and place of their choosing. What new bio-political possibilities might emerge as humans gain such a degree of reproductive self-determination? \nWeaving together biology and folklore\, Detmering and Stoll create a space to explore new\, speculative feminisms\, grounded and developed with experimentation\, research and lived experience. Through their intervention\, the art space becomes a laboratory\, a staging ground from which new potentialities might take root and flourish. \npatriciadetmering.com \nannikastoll.de
URL:https://www.projektraeume-berlin.net/termin/outside-the-cave-femalosion/
LOCATION:HilbertRaum\, Reuterstr. 31\, Berlin\, Berlin\, 12047\, Deutschland
ATTACH;FMTTYPE=image/jpeg:https://www.projektraeume-berlin.net/wp-content/uploads/2022/02/outsidethecave_quer_web.jpeg
ORGANIZER;CN="HilbertRaum":MAILTO:info@hilbertraum.org
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