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DTSTART;TZID=Europe/Berlin:20220407T180000
DTEND;TZID=Europe/Berlin:20220407T190000
DTSTAMP:20260504T020750
CREATED:20220401T164218Z
LAST-MODIFIED:20220505T055748Z
UID:14668-1649354400-1649358000@www.projektraeume-berlin.net
SUMMARY:A trans feat. Ellinor Euler _AUS DER TRAUM!
DESCRIPTION:Ellinor Euler:  AUS DER TRAUM ! (The Dream is over.) \nA situation set to zero. Is the dream over? \nEllinor Euler presents us with delicate hints at possible modes of survival.     A weightless domestic artifact rests in a transparent net structure. Lines made of Indian fabric remnants and old neckties create new distribution structures. Glitter and glamour broaden the horizon. …The future is feminine. \nEllinor Euler lives and works in Berlin and at Kunsthaus Dosse Park in Wittstock. She studied architecture and at the same time developed her artistic oeuvre. Since 2006 she has regularly traveled to India on guest fellowships and for work trips. \nExhibition \n07.04.2022 – 26.06.2022    \n24 hours\n  \nVitrine U-Zoologischer Garten (U9) in 10787 Berlin \nFinissage:  Saturday\, 25.06.2022      7 pm
URL:https://www.projektraeume-berlin.net/termin/a-trans-feat-ellinor-euler-_aus-der-traum/
LOCATION:Vitrine U-Zoologischer Garten (U9)\, Hardenbergplatz\,\, Berlin\, Berlin\, 10787\, Deutschland
CATEGORIES:Ausstellung,Finissage,Installation,Projekt im öffentlichen Raum
ATTACH;FMTTYPE=image/jpeg:https://www.projektraeume-berlin.net/wp-content/uploads/2022/04/EE_Karte-VS.jpg
ORGANIZER;CN="A TRANS":MAILTO:in@atrans.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220408T170000
DTEND;TZID=Europe/Berlin:20220408T190000
DTSTAMP:20260504T020750
CREATED:20220406T083457Z
LAST-MODIFIED:20220406T085008Z
UID:14680-1649437200-1649444400@www.projektraeume-berlin.net
SUMMARY:G.A.S-station\, Archiv II - aktuelle Impulse und POST:Bot:In
DESCRIPTION:Die G.A.S-station Tankstelle für Kunst und Impuls\, Berlin\, versteht sich als gelebter Raum für disziplinüberschreitende Nachbarschaft. Laufend versammeln wir Beitragende aus Kunst\, Wissenschaft und Literatur in unseren internationalen\, spartenübergreifenden Ausstellungsprojekten. \nZusätzlich zu den thematisch zentrierten\, spartenübergreifenden Ausstellungsprojekten präsentieren wir immer wieder\, wenn es die Zeit erlaubt\, weitere Ausstellungsformate. Dieses Jahr wollen wir mit der Ausstellung Archiv II – aktuelle Impulse und Post:Bot:In beginnen. \nÜber 40 Postkarten wurden uns für das Projekt Post:Bot:In zugesandt; es wird den Auftakt der Ausstellung bilden und ein Stimmungsbild in diesen komplizierten wie schwierigen Zeiten vermitteln. \nVierzehn Positionen aus unserem Archiv und vier aktuelle Positionen\, die wir aus den Einreichungen ausgewählte haben\, werden im Rahmen der Ausstellung Archiv II – aktuelle Impulse präsentiert. \nWir bitten beim Besuch der Ausstellung die aktuellen Corona Verordnungen für Berlin zu beachten und bitten in den Räumen eine FFP2 Maske zu tragen. \nVielen Dank und Willkommen zurück. \nEröffnung 8. April 2022\, 18–20 Uhr\nAusstellung: 13.4.–31.8.2022\nÖffnungszeiten: Mi–Fr 15–18 Uhr u.n.V. \nArchiv II – mit Arbeiten von:\nThomas Born\, Käthe Schönle\, Hans Klestofer\, Yikui (Coy) Gu\, Marko Zink\, Michaela Göltl\, Thomas Maximilian Stuck (tms\, Tomax)\, Elisa Asenbaum\, Draga Jovanovic\, Christiane Spatt. \nAktuelle Impulse mit Arbeiten von:\nOliver Möst\, Edin Baijric\, Oliver Orthuber und Wolfgang Neipl. \nPOST:Bot:In 8.–29.4.2022 \n \nPOST:Bot:In – mit Einsendungen von:\nAlbert Markert\, Anna-Maria Kursawe\, Boris Nieslony\, Anne-Theresa Wittmann\, Anne Sommer-Meyer\, Christiane Spatt\, Dietmar Paetzold\, Gisela Weimann\, Gisela und Hans-Gerhard Templin\, Gudrum Fischer-Bomert\, Herbert J. Wimmer\, Ilse Kilic\, Isolde Gorsboth und Ulrich Gorsboth\, Klaus Fezer\, Kornelia Hoffmann\, Manuela Beyer-Bunk\, Marion Steinfellner\, Martin Wilhelm\, Michel Meyer\, Patricia Brooks\, Paul Kroker\, Peter Warum | Rum\, Susanne Helmes\, Stephan Groß\, Tobias Schnotale\, Udo Brüning\, Viola Wandsey\, Wolfgang Grossmann\, Wolfgang Hille. \n[ENGL] \nArchive II and current impulses and POST:Bot:In \nThe G.A.S-station filling station for art and impulse\, Berlin\, sees itself as a living space for cross-disciplinary neighborhoods. On an ongoing basis\, we gather contributors from art\, science and literature in our international\, cross-disciplinary exhibition projects. \nIn addition to the thematically centered\, cross-disciplinary exhibition projects\, we present other exhibition formats whenever time permits. This year we want to start with the exhibition Archive II – Current Impulses and Post:Bot:In. \nMore than 40 postcards were sent to us for the Post:Bot:In project; it will be the prelude to the exhibition and convey a mood picture in these complicated as well as difficult times. \nFourteen positions from our archive and four current positions that we have selected from the submissions will be presented as part of the exhibition Archive II – Current Impulses. \nWhen visiting the exhibition\, we ask that you observe the current Corona regulations for Berlin and please wear an FFP2 mask in the rooms. \nThank you and welcome back. \nOpening 8th April 2022\, 6–8 p.m.\nExhibition: 13.4.–31.8.2022\nOpening hours: We–Fr 3–6 p.m. and by appt. \nArchive II – with works by:\nThomas Born\, Käthe Schönle\, Hans Klestofer\, Yikui (Coy) Gu\, Marko Zink\, Michaela Göltl\, Thomas Maximilian Stuck (tms\, Tomax)\, Elisa Asenbaum\, Draga Jovanovic\, Christiane Spatt. \nCurrent impulses with works by:\nOliver Möst\, Edin Baijric\, Oliver Orthuber und Wolfgang Neipl. \nPOST:Bot:In 8.–29.4.2022 \nPOST:Bot:In – with submissions from:\nAlbert Markert\, Anna-Maria Kursawe\, Boris Nieslony\, Anne-Theresa Wittmann\, Anne Sommer-Meyer\, Christiane Spatt\, Dietmar Paetzold\, Gisela Weimann\, Gisela und Hans-Gerhard Templin\, Gudrum Fischer-Bomert\, Herbert J. Wimmer\, Ilse Kilic\, Isolde Gorsboth und Ulrich Gorsboth\, Klaus Fezer\, Kornelia Hoffmann\, Manuela Beyer-Bunk\, Marion Steinfellner\, Martin Wilhelm\, Michel Meyer\, Patricia Brooks\, Paul Kroker\, Peter Warum | Rum\, Susanne Helmes\, Stephan Groß\, Tobias Schnotale\, Udo Brüning\, Viola Wandsey\, Wolfgang Grossmann\, Wolfgang Hille.
URL:https://www.projektraeume-berlin.net/termin/g-a-s-station-archiv-ii-aktuelle-impulse-und-postbotin/
LOCATION:G.A.S-station\, Tempelherrenstr. 22\, Berlin\, 10961\, Deutschland
CATEGORIES:Vernissage
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ORGANIZER;CN="G.A.S-station":MAILTO:info@2gas-station.net
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220408T170000
DTEND;TZID=Europe/Berlin:20220408T210000
DTSTAMP:20260504T020750
CREATED:20220405T172358Z
LAST-MODIFIED:20220504T064544Z
UID:14672-1649437200-1649451600@www.projektraeume-berlin.net
SUMMARY:Tracing Roots
DESCRIPTION:Tracing Roots\nFeriel Bendjama \n08.04. – 17.04.2022 \nOpening: Friday\, 08.04.2022\, 18 – 22 h \nFeriel Bendjama untersucht in Tracing Roots die komplexe Herkunft ihrer Familie\, und den kontinuierlichen Vorgang des Verwurzelns. Die mehrteilig konzipierte Ausstellung vermittelt einen Einblick in das diasporische Leben einer Familie zwischen Algerien\, der DDR und Westdeutschland. \nIm ersten Teil der Ausstellung liegt der Fokus auf alte Familienfotografien. Feriel Bendjama sammelte alte private Polaroids\, fotografierte diese neu\, bearbeitete\, vergrößerte und arrangierte sie in einem neuen Kontext. Die überwiegend aus den 80er-Jahren stammenden Fotografien dokumentieren ein Leben zwischen drei Welten. Aufnahmen in Farbe zeigen typische Alltagsszenen wie Familientreffen\, Feste\, Ausflüge und Kinder. Die Fotos thematisieren Aspekte des Erinnerns\, nostalgische Empfindungen und sind ein Abbild von gelebter kultureller Diversität. \nDer zweite Teil widmet sich Landschaftsfotografien und flüchtigen Momentaufnahmen aus Algerien\, welche Feriel Bendjama während Ihrer Reisen aufnahm. Bendjama fotografierte im Vorbeifahren vom Auto aus\, die Landschaften\, die an ihr vorbeirauschten. Die Fotografien reflektieren die Fluidität des Verwurzelns. \nFeriel Bendjamas Arbeiten behandeln verschiedene Fragestellungen wie die Wahrnehmung hybrider Identitäten\, die Fragilität zwischenmenschlicher Beziehungen und die eigene Definition von Zugehörigkeit. \nFeriel Bendjamas wurde 1980 nahe Dresden geboren. Sie ist zwischen Offenbach am Main und Algerien aufgewachsen und lebt seit 2003 in Berlin. Aktuelle Themenschwerpunkte ihrer Foto- und Videoarbeiten sind kulturelle und religiöse Identitäten. \nFeriel Bendjama examines in Tracing Roots the complex origins of her family and the ongoing process of rooting. The multi-part exhibition provides an insight into the diasporic life of a family between Algeria\, the GDR and West Germany. \nThe first part of the exhibition focuses on old family photographs. Feriel Bendjama collected old private Polaroids\, re-photographed them\, edited them\, enlarged them and arranged them in a new context. The photographs\, most of which date from the 1980s\, document life between three worlds. Color shots show typical everyday scenes such as family reunions\, parties\, trips and children. The photos address aspects of remembering\, nostalgic feelings and are an image of lived cultural diversity. \nThe second part is dedicated to landscape photographs and fleeting snapshots from Algeria\, which Feriel Bendjama photographed during her travels. Bendjama photographed the landscapes that rushed past her from the car as she drove past. The photographs reflect the fluidity of rooting. \nFeriel Bendjama’s works deal with various issues such as the perception of hybrid identities\, the fragility of interpersonal relationships and one’s own definition of belonging. \nFeriel Bendjamas was born near Dresden in 1980. She grew up between Offenbach am Main and Algeria and has lived in Berlin since 2003. Current focal points of her photo and video works are cultural and religious identities. \nOpening times \nOpening Friday: 08.04.2022\, 18 – 22 h\nOther Friday: 16 – 19 h\nSaturdays & Sundays: 14 – 19 h \nAddress \nHilbertraum\nReuterstr. 31\n12047 Berlin-Neukölln \nNearest Subway: U7 & U8 Hermannplatz \nwww.hilbertraum.org \n  \n 
URL:https://www.projektraeume-berlin.net/termin/tracing-roots/
LOCATION:HilbertRaum\, Reuterstr. 31\, Berlin\, Berlin\, 12047\, Deutschland
CATEGORIES:Ausstellung,Fotografie,Vernissage
ATTACH;FMTTYPE=image/jpeg:https://www.projektraeume-berlin.net/wp-content/uploads/2022/04/Feriel_Bendjama_Tracing_Roots_Web-1.jpg
ORGANIZER;CN="HilbertRaum":MAILTO:info@hilbertraum.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220422T170000
DTEND;TZID=Europe/Berlin:20220422T213000
DTSTAMP:20260504T020750
CREATED:20220419T092117Z
LAST-MODIFIED:20220504T064520Z
UID:14695-1650646800-1650663000@www.projektraeume-berlin.net
SUMMARY:A Faint Ground
DESCRIPTION:The first in a series of collaborative group shows featuring artists from Berlin and London\, organized by HilbertRaum and ASC Gallery (London). \nOpening Reception Friday 22nd April from 6 – 10pm \nA Faint Ground \n„Recently I was trying to remember the feeling of fresh grass under bare foot. The sensation of the grass between toes\, it’s delicate and earthy feeling\, cool and green. \nTo some degree looking at artworks can be like the feeling of fresh grass under bare foot. Eyes register the artwork whole\, taking it in\, searching for links but then sense the surface\, it’s unique detail\, it’s thread\, it’s pitch. With our eyes we walk the faint ground like our feet feel the fresh grass. \nIn this age of uncertainty what is certain is the ground beneath us.“ \nDarren O’Brien\, ASC Gallery \nA Faint Ground is the first exhibition in a collaborative series connecting London’s ASC studio’s + Gallery with Berlin’s HilbertRaum. Two artists from London connect with three from Berlin in an exhibition that looks at painting and sculpture across two European cities\, a snapshot of the current. Curated by Darren O’Brien and Tobias Sternberg. \nThe upcoming exhibition project Asc Hilbert is more than just a series of shows. We think of it as a surface of contact for the art communities of the two cities. Spanning over several years\, ASC Gallery and HilbertRaum will together organize and curate up to 4 shows a year taking turns between the two spaces and drawing artists from our combined networks. We hope that this long term collaboration will not only introduce exciting fresh art to a new audience\, but also help facilitate lasting connections between art professionals in the two cities\, and thus support the development of early and mid career artists. \nKarolina Albricht (b. 1983 in Krakow) is a London based artist and curator. Painting\, to her\, is an \nattempt to generate an active space\, an environment which can be perceived and responded to \nthrough our intellectual and physical faculties\, through the sum of our senses. \nKarolina graduated with an MA from The Academy of Fine Arts in Krakow in 2008. Prior to that she completed Socrates-Erasmus at ArtEZ Institute of Fine Arts in Arnhem\, the Netherlands in 2007. In 2020 she finished Turps Studio Program in London. Her recent solo exhibitions include 16 Branches High at Studio West (London) and OFF-BEAT at JGM Gallery (London). Her recent group exhibitions include Generous Space at Hastings Contemporary (Hastings\, UK)\, L2022NDON at Gelleri Ismene (Trondheim\, Norway)\, 21 Fathoms at ASC Gallery (London). Her awards include Tyson Award\, ArtGemini Award\, she was shortlisted for Contemporary British Painting Prize\, RA Summer Exhibition\, Threadneedle Prize and APT & Fenton Arts Trust Award\, among others. \nwww.karolinaalbricht.com \nHeike Kelter\, born in Münster\, has lived in Canada\, Turkey\, Brazil and South Africa. \nShe now lives and works in Berlin. Her paintings are the subject evidence of a contemplation into place (landscape) and function (nature). Landscape as a source for a distinct place and time\, lead by aptitude\, visual decisions and a sublimated correlation of form and colour. \nShows include KickLine at Thaler Original Grafik (Leipzig)\, Circling the Square\, Thames Side Gallery (London)\, MalerinnenNetzWerk at Museum der Bildenden Künste (Leipzig)\, Seance Fiction at Kunstverein Familie Montez (Frankfurt)\, Zündung at Turps Gallery (London) \nBlack Box at Kunsthalle Lüneburg\, Fokus on Abstraction at Milchhof (Berlin)\, Painting XXL at Kunst Halle A1 und Gallery Leuenroth (Frankfurt)\, Bloße Landschaft at Städtische Galerie Waldkraiburg\, 21+at Kunstraum am Schauplatz (Vienna) curated by Axel Huber and two shows at Polarraum Hamburg. \nwww.heikekelter.de \nDarren O’Brien was born in Kent (UK) and now lives and works in London\, having his studio in Brixton and being co/director of ASC Gallery. He studied fine art painting at both St Martin’s and Winchester School of Art. Painting and drawing are central aspects of his practice\, where paintings dance with the moment and are often physical in nature with folds\, cutouts and add-ons. Recent threads used random sticks found on walks as a starting point for a body of work\, and hats have also become a recent motif. \nRecent group exhibitions include Twenty/20 at Mgalleries (Washington\, USA)\, the RA Summer Exhibition in 2021\, States of Distruption at MIR Project Space\, (Rotherhithe\, UK)\, and Capitulo 1 PADA at AMAC Art Centre (Lisbon). Solo presentations include PADA Art Residency Gallery (Lisbon)\, 4 Paintings at The Cube\, Grafton Quarter studios (London)\, 100 Paintings/GR11 at Erlang House\, ASC Gallery (London). Recent curated projects include I Celebrate Myself at ASC’s Old Lambeth Court House Project Space\, In (Matters of the Soul) and Flumblelovelifekisturbingandflexy at ASC Gallery (London). \nwww.darren-obrien.co.uk \nHannah Rath was born in Marburg/Lahn and lives and works in Berlin. She studied sculpture at the HFBK Hamburg\, where she received her diploma in 2010 under the supervision of Pia Stadbäumer and Hanne Loreck. \nHannah Rath has participated in exhibitions around the world. Venues include the Institut Français Milano\, Kunsthalle Hamburg\, Museum für Konkrete Kunst (Ingolstadt)\, Galerie Bittel (Hamburg)\, the Kjubh Kunstverein (Cologne)\, Galerie der Trittauer (Wassermühle)\, Schloß Agathenburg\, the Falckenberg Collection (Hamburg) and the Hidden Gallery (Istanbul). \nWorks by Hannah Rath form part of public collections such as the Kunsthalle Hamburg\, Sparkassen-Kultur Stiftung Stormarn or the artist-book collection of the Kunsthalle Hamburg. \nShe has been the recipient of a research scholarship from the Zeit-Stiftung Ebelin und Gerd Bucerius (2019)\, a travel grant to Istanbul from the Cultural Foundation of Hesse (2018)\, an artistic residency at the Château de Millemont and project funding from the Hamburg Office of Culture and Media (2017)\, a working grant for visual art from the city of Hamburg (2016)\, an art scholarship from the Sparkassen-Kulturstiftung Stormarn (2015-16) and other funding. \nSince 2016 Hannah Rath has been a member of the artist collective THE BOOKS. Together with Matthias Meyer she founded the publishing house of the same name in 2020. \nwww.hannah-rath.com \nBettina Weiß studied art at the Kunsthochschule Kassel with Professor Rob Scholte. In 1999 she moved to Berlin to study at the Universität der Künste with Prof. Leiko Ikemura and graduated in 2004 as a master student. She currently lives and works in Berlin. \nIn her work she makes references to the beginning of abstract art\, counting the artists Hilma af Klint\, Frantisek Kupka\, Sonja Delaunay and Emma Kunz as her influences. Since 2009 Bettina Weiß developed her painting style on wood and canvas on the basis of nature\, starting with ornaments from far eastern cultures\, in a geometrically abstract\, intensely colourful expresiveness. Over the years she has more and more reduced the various elements and colours\, and give the surfaces in the picture more weight through different materialities which are placed shimmering and matt against each other.  \nSince the turn of the millennium\, Bettina Weiß’s works have been shown internationally in numerous solo and group exhibitions in Seoul\, Daegu\, New York\, Los Angeles\, Chicago\, Paris\, London\, Helsinki\, Vienna and in various places in Germany.  \nwww.bettinaweiss.de
URL:https://www.projektraeume-berlin.net/termin/a-faint-ground/
LOCATION:HilbertRaum\, Reuterstr. 31\, Berlin\, Berlin\, 12047\, Deutschland
CATEGORIES:Vernissage
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ORGANIZER;CN="HilbertRaum":MAILTO:info@hilbertraum.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220428T180000
DTEND;TZID=Europe/Berlin:20220428T210000
DTSTAMP:20260504T020750
CREATED:20220427T132255Z
LAST-MODIFIED:20220427T132830Z
UID:14723-1651168800-1651179600@www.projektraeume-berlin.net
SUMMARY:Artist Talk by Mario Santamaría
DESCRIPTION:/rosa ➠ Artist Talk by Mario Santamaría\, on Thursday\, 28 April 2022 at 7 pm \nRosa-Luxemburg-Strasse 35\, 10178 Berlin\nnetzkunst.berlin/rosa\npanke.gallery/rosa \n \nMario Santamaría’s practice engages with narratives told about technologies and the manifestations of networks that are often claimed to be disembodied and ephemeral. \nHis 2019 work Cloudplexity – a series of drawings made to represent the Internet extracted from the U.S. Patent database – has just recently been on display at C/O in Berlin. \nAt /rosa\, Santamaría will talk about his practice and introduce us to a selection of his works. \nCome join us for the talk and drinks this Thursday.\nPlease wear a FFP2 mask inside. \nYou can also visit /rosa\, the research library\, book store and reconstructed net art activities during our regular opening hours:\n• Friday: 1 – 6 pm\n• Saturday: 4 – 8 pm\n• or by appointment: rosa@netzkunst.berlin \n/rosa is a project space on Rosa-Luxemburg Platz in Berlin. It is jointly run by Zentrum für Netzkunst Berlin and panke.gallery and focuses on researching and exhibiting net art and net culture.
URL:https://www.projektraeume-berlin.net/termin/14723/
LOCATION:Berlin
ORGANIZER;CN="panke.gallery":MAILTO:info@panke.gallery
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220429T170000
DTEND;TZID=Europe/Berlin:20220429T220000
DTSTAMP:20260504T020750
CREATED:20220421T152052Z
LAST-MODIFIED:20220421T152052Z
UID:14699-1651251600-1651269600@www.projektraeume-berlin.net
SUMMARY:Die Obiger Galaxis Finissage - Happening
DESCRIPTION:Finissage am Freitag\, den 29. April 2022\, 18 – 23 Uhr\nAlle Künstler werden bei der Finissage anwesend sein.\nSpecial: pre-release der App „appARition“ von Maja Rohwetter \nDie Obiger Galaxis als artistisches Wimmelbild.\nJeder von der Stammbesatzung hat befreundete bildende Art-Genossinnen zu dieser Gruppenausstellung eingeladen. \nAm 25.03. sollten alle Künstler erscheinen unter Beibringung eines eigenen Werks\, welches dann vor Ort persönlich platziert und präsentiert wurde\, in friedlicher und dynamischer Koexistenz mit den anderen. Die Vernissage als Event chaotischer\, kontaktfreundlicher Kuration. Die Finissage dann ebenso nur andersrum. \nAusmaß und Beschaffenheit dieses künstlerischen Kosmos wurden vergnüglich sichtbar oder wie schon eine Werbe-Prophetie im vorigen Jahrtausendend es trefflich formulierte: Milky Way – so locker und leicht – schwimmt sogar in Milch… \nMaria Anwander • Ruben Aubrecht • Claudia Balsters und Hannah Goldstein • Antje Blumenstein • Anne Brannys • Alke Brinkmann • Claudia Busching • Martin Dörbaum • Cécile Dupaquier • Lara Faroqhi • Saeed Foroghi • Anne Gathmann • Nathalie Grenzhaeuser • Harriet Groß • Philipp Hennevogl • Peter Hock • Katrin Jaquet • Anne Kaminsky • Petra Karadimas • Julia Kissina • Achim Kobe • Andreas Koch • Gabriele Künne • Leyre Lassierra Viguri • Jorge Lopes • Wolfgang Matzat • Alexander Menegotto • Thomas Monses • Matthias Moravek • Rainer Neumeier • Oliver Neumann • Enrico Niemann • Jennifer Oellerich • Kristina Popov • Frederik Poppe • Mariel Poppe • Heinz Pranter • Maja Rohwetter • Stefan Roigk • Miguel Rothschild • Nadja Schöllhammer • Stefan Schwarzmüller • Zuzanna Zita Skiba • Hans-Peter Stark • Craig Stewart • Petra Tödter • Dagmar Tränkle • Lukas Troberg • Anke Voelk • Nicole Wendel • Elmar Zimmermann • Christof Zwiener
URL:https://www.projektraeume-berlin.net/termin/die-obiger-galaxis-finissage-happening/
LOCATION:Axel Obiger\, Brunnenstraße 29\, Berlin\, Berlin\, 10119\, Deutschland
CATEGORIES:Ausstellung,Finissage,Finnisage,partizipatoriches Projekt,Performance
ATTACH;FMTTYPE=image/jpeg:https://www.projektraeume-berlin.net/wp-content/uploads/2022/04/Obiger-Galaxis_IMG_20220325_web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220429T180000
DTEND;TZID=Europe/Berlin:20220429T220000
DTSTAMP:20260504T020750
CREATED:20220421T153124Z
LAST-MODIFIED:20220421T153124Z
UID:14703-1651255200-1651269600@www.projektraeume-berlin.net
SUMMARY:Special:  App-Release > appARition / contingencies. AR-experience © Maja Rohwetter 2022
DESCRIPTION:Die Pre-release findet zur Finissage von „Die Obiger Galaxis“ statt:\nFreitag\, den 29. April 2022\, 19 – 23 Uhr \nDie Augmented Reality-Experience “contingencies” der Künstlerin Maja Rohwetter thematisiert die Interferenz von Realität und Virtualität als eine Grundfrage der Malerei. \nVirtuelle Übersetzungen von Malereifragmenten interagieren mit der ortsspezifischen Umgebung der Nutzer*innen und schaffen so individuelle Bild- und Soundcollagen. \nIn ihrer Arbeit untersucht Maja Rohwetter eine zeitgenössische visuelle Sprache zwischen analog und digital\, real und virtuell. Vor dem Refenrenzfeld von digitalen Technologien und Malerei reflektiert sie die Flüchtigkeit und Konstruiertheit unseres Konzepts von Realität. \nNutzer*innen können interaktiv und partizipativ in skalierbaren Dimensionen mit Kompositionen experimentieren\, die sich über die App als Screenshot speichern lassen. \nKonzept und 3D-Animationen: Maja Rohwetter\nTon: Tuomo Väänänen\nAppEntwicklung: Artvisity\, Aachen \nGefördert von der Beauftragten der Bundesregierung für Kultur und Medien \n 
URL:https://www.projektraeume-berlin.net/termin/special-app-release-apparition-contingencies-ar-experience-maja-rohwetter-2022/
LOCATION:Axel Obiger\, Brunnenstraße 29\, Berlin\, Berlin\, 10119\, Deutschland
CATEGORIES:Audio-visual installation,Digital Art,Finissage,partizipatoriches Projekt,Preview
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END:VEVENT
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