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DTSTART;TZID=Europe/Berlin:20221111T180000
DTEND;TZID=Europe/Berlin:20221111T210000
DTSTAMP:20260430T224542
CREATED:20221022T142331Z
LAST-MODIFIED:20221022T142331Z
UID:15114-1668189600-1668200400@www.projektraeume-berlin.net
SUMMARY:Opening: Marcelina Wellmer. Solid Landscapes - loose parts
DESCRIPTION:With this exhibition\, we are pleased to present the new works of Marcelina Wellmer. Her artistic research focuses on the influence of humans on the landscape\, the technological dependencies and the dissociations between nature\, man and industry. \nIn „Solid Landscapes – loose parts“ Wellmer presents three of her latest works „Solid Landscapes“\,  „Porous“\,  and „Amalgam“. With the video recordings\, photographs and objects the artist invites the viewer to take a closer look at the never-ending growth of industrial and production areas and a vast man-made (anti-)fusion of nature and technology. \nSome of the connecting points and dependencies that might be discovered in the works seem random\, inappropriate and irritating; on the other hand\, they open space for new narratives to reflect the tense relationship between humans and nature. Wellmer works are balancing between technical entropy and ambivalent fusion of natural and artificial materials. \n  \nMarcelina Wellmer \ngraduated from the Academy of Fine Arts in Poznan/Poland in 2000 with a degree in video and drawing. She is a conceptual artist and photographer based in Berlin. As a media artist\, she has been working with video\, photography\, objects and sound for the past 12 years\, exploring symbiotic relations between people and interfaces of information exchange and media\, exploring flawed processes of encoding and decoding. In photography\, Wellmer explores the powerful influence of humans on the landscape\, their technological dependence\, and their isolation in a modern world.
URL:https://www.projektraeume-berlin.net/termin/opening-marcelina-wellmer/
LOCATION:Berlin
CATEGORIES:Ausstellung,Vernissage
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BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20221117T180000
DTEND;TZID=Europe/Berlin:20221117T190000
DTSTAMP:20260430T224542
CREATED:20221106T125300Z
LAST-MODIFIED:20221106T125300Z
UID:15138-1668708000-1668711600@www.projektraeume-berlin.net
SUMMARY:A trans feat. Silvina Der Meguerditchian_ DURCH UND DURCH
DESCRIPTION:In semantic fields Silvina Der Meguerditchian explores the space between the image and the written word\, dissecting it into its smallest components. Paper – the primary support of the written word – is punctured by the materiality of wool or sewing thread. The words “we”\, “love”\, “place”\, “together” are deconstructed in a thicket of fibers\, becoming an enigma difficult to decipher. This “woolly encoding” with its soft\, porous surface\, speaks to the osmotic properties of language and the permeable limits between ideas and their signifiers. \nIn DURCH UND DURCH (THROUGH AND THROUGH) Silvina Der Meguerditchian stitches with wool the word Zusammen (Together) on paper. The work stimulates to think about the collective\, its origins\, for example in the paradise of Christian genesis\, but also its development in the personal as well as socio-political environment until today. \nThe work of Silvina Der Meguerditchian are shown in numerous national and international exhibitions. The artist lives and works in Berlin. \n_____________________ \nIn semantischen Feldern erforscht Silvina Der Meguerditchian den Raum zwischen dem Bild und dem geschriebenen Wort und zerlegt ihn in seine kleinsten Bestandteile. Papier – der primäre Träger des geschriebenen Wortes – wird durch die Materialität von Wolle oder Nähgarn durchstochen. Die Worte „wir“\, „Liebe“\, „Ort“ oder „Zusammen“ werden in einem Dickicht aus Fasern dekonstruiert und zu einem schwer entzifferbaren Rätsel. Diese „wollige Kodierung“ mit ihrer weichen\, porösen Oberfläche verweist auf die osmotischen Eigenschaften der Sprache und die durchlässigen Grenzen zwischen Ideen und ihren Bezeichnern. \nIn DURCH UND DURCH sticht Silvina Der Meguerditchian mit Wolle das Wort Zusammen auf Papier. Das Werk regt an\, über das Kollektive nachzudenken\, seine Ursprünge\, zum Beispiel im Paradies der christlichen Genese\, aber auch seine Entwicklung im persönlichen wie gesellschaftspolitischen Umfeld bis heute. \nDie Werke von Silvina Der Meguerditchian werden in zahlreichen nationalen und internationalen Ausstellungen gezeigt. Die Künstlerin lebt und arbeitet in Berlin. \n  \nEin Teil von Draussenstadt\,  \ngefördert vom Berliner Projektfonds Urbane Praxis und der Senatsverwaltung für Kultur und Europa  \n  \nFor further information: \nhttps://www.atrans.org   |   https://www.silvina-der-meguerditchian.de \nInstagram: @atrans   |   @silvinadermeguerditchian \nFacebook: atransorg  |  silvina.dermeguerditchian
URL:https://www.projektraeume-berlin.net/termin/a-trans-feat-silvina-der-meguerditchian_-durch-und-durch/
LOCATION:Vitrine U-Zoologischer Garten (U9)\, Hardenbergplatz\,\, Berlin\, Berlin\, 10787\, Deutschland
CATEGORIES:Performance,Vernissage
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ORGANIZER;CN="A TRANS":MAILTO:in@atrans.org
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DTSTART;TZID=Europe/Berlin:20221118T180000
DTEND;TZID=Europe/Berlin:20221118T210000
DTSTAMP:20260430T224542
CREATED:20221109T120125Z
LAST-MODIFIED:20221109T163216Z
UID:15144-1668794400-1668805200@www.projektraeume-berlin.net
SUMMARY:I Would Rather Be A Lover Than A Fighter (Opening 18.11.22 // 7pm)
DESCRIPTION:solo exhibition by Nadin Reschke; in curatorial collaboration with Katharina Koch & Sylvia Sadzinski; event with Seçil Yersel \nTextile Installation \nIn her first solo exhibition in Berlin\, Nadin Reschke presents a room-sized textile installation that deals with the thematic intersections of the city\, gender\, and sexuality.\nI Would Rather Be a Lover Than a Fighter explores gender-related (discriminatory) experiences of women or FLINTA in urban space\, challenges the gendering and heterosexual norming of the city in a polyphonic textile chorus\, and calls for a feminist urban critique. The work began in 2019\, when Nadin Reschke took her experiences in the city of Bangalore as a starting point for conversations with local women during an artist residency. How do women and FLINTA move in public and private spaces? What tactics do they use to deal with the complexity of patriarchal structures in the urban context? From these conversations\, the artist developed a textile installation made up of saris and screen prints. For the Berlin extension of the work\, Reschke initiated a collective process and exchange of experiences. In performative conversations\, the invited women and FLINTA engaged with ideas about the extent to which the act of speaking together can represent an emancipatory\, collectivizing moment. What experiences in public space have had a lasting impact on us? What individual and collective tactics have we developed in light of experiences with sexism\, racism\, classism and other forms of discrimination? How do we create spaces where we feel safe and comfortable? \nGraphic: Stefanie Rau\, operative.space \nThe performative conversations took place with Sumona Dhakal\, Marion Fabian\, Nazli Korkmaz\, Sabine Küster\, Anna Kirstine Linke\, Ariadna Blanch Lopez\, Alice Pedroletti\, Seçil Yersel.\nThe Bangalore work was realised with contributions from Avnit\, Shrunga\, Devi\, Arshi\, Mona\, Shilok\, Anisha\, Harshita\, Sandhya\, Anitha\, Siri und Anna (and others)\, supported by 1 ShantiRoad + Goethe-Institute during »BangaloREsidency 2019«. \nNadin Reschke is a visual artist\, art therapist and art facilitator. Her work focuses on creating and facilitating communication processes and situations. She lives and works in Berlin\, but many of her works are created in transcultural contexts. In her work\, she uses fabrics and textiles as sculptural material\, as carriers of identities\, of collective history and individual experiences. www.nadinreschke.de \nEvents\n\n  \nOpening // 18.11.2022 // 19:00\nFacebook Event: https://fb.me/e/22NfjRuW0 \n \nI would rather be…\nOpen Talk with Seçil Yersel\n// 8.12.2022 // 19:00 \nWhat have we experienced until now? What do we desire to experience from now on? Seçil Yersel is organizing an open talk\, using Nadin Reschke‚s work as a starting point;\nstrolling through subjects of identity and expectations and trying to flow into wishes and desires. What do we imagine ourselves becoming and why?\nPlease come to the event with one chosen item or object that you want to talk about in\nrelation to the statement: »I would rather be…«. The event will be held in English. \nSeçil Yersel is an artist from Istanbul currently based in Berlin. She works with and within photography\, text and sound since 1994; in search of third spaces and new perceptions of place making. She is also the co-founder of the artist collective Oda Projesi. \nFeminist City\nCollective Reading with Nadin Reschke\n// 14.1.2023 // 18:00\n \nLet’s read and discuss texts from Leslie Kern’s book »Feminist City« and contrast them with our own experiences and positions. How do we experience the city we live in and\nhow should it change?\nThe event will be held in German and English. Please register until 10.1.2023:\nmail@alpha-nova-kulturwerkstatt.de \nInstagram:@alpha_nova_galerie_futura
URL:https://www.projektraeume-berlin.net/termin/i-would-rather-be-a-lover-than-a-fighter-opening-18-11-22-7pm/
LOCATION:alpha nova & galerie futura\, Am Flutgraben 3\, 12435 Berlin
CATEGORIES:Gespräch/Round Table,Installation,Künstlergespräch,partizipatoriches Projekt,Projekt im öffentlichen Raum,Rauminstallation,Vernissage
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