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DTSTART;TZID=Europe/Berlin:20221117T180000
DTEND;TZID=Europe/Berlin:20221117T190000
DTSTAMP:20260531T160835
CREATED:20221106T125300Z
LAST-MODIFIED:20221106T125300Z
UID:15138-1668708000-1668711600@www.projektraeume-berlin.net
SUMMARY:A trans feat. Silvina Der Meguerditchian_ DURCH UND DURCH
DESCRIPTION:In semantic fields Silvina Der Meguerditchian explores the space between the image and the written word\, dissecting it into its smallest components. Paper – the primary support of the written word – is punctured by the materiality of wool or sewing thread. The words “we”\, “love”\, “place”\, “together” are deconstructed in a thicket of fibers\, becoming an enigma difficult to decipher. This “woolly encoding” with its soft\, porous surface\, speaks to the osmotic properties of language and the permeable limits between ideas and their signifiers. \nIn DURCH UND DURCH (THROUGH AND THROUGH) Silvina Der Meguerditchian stitches with wool the word Zusammen (Together) on paper. The work stimulates to think about the collective\, its origins\, for example in the paradise of Christian genesis\, but also its development in the personal as well as socio-political environment until today. \nThe work of Silvina Der Meguerditchian are shown in numerous national and international exhibitions. The artist lives and works in Berlin. \n_____________________ \nIn semantischen Feldern erforscht Silvina Der Meguerditchian den Raum zwischen dem Bild und dem geschriebenen Wort und zerlegt ihn in seine kleinsten Bestandteile. Papier – der primäre Träger des geschriebenen Wortes – wird durch die Materialität von Wolle oder Nähgarn durchstochen. Die Worte „wir“\, „Liebe“\, „Ort“ oder „Zusammen“ werden in einem Dickicht aus Fasern dekonstruiert und zu einem schwer entzifferbaren Rätsel. Diese „wollige Kodierung“ mit ihrer weichen\, porösen Oberfläche verweist auf die osmotischen Eigenschaften der Sprache und die durchlässigen Grenzen zwischen Ideen und ihren Bezeichnern. \nIn DURCH UND DURCH sticht Silvina Der Meguerditchian mit Wolle das Wort Zusammen auf Papier. Das Werk regt an\, über das Kollektive nachzudenken\, seine Ursprünge\, zum Beispiel im Paradies der christlichen Genese\, aber auch seine Entwicklung im persönlichen wie gesellschaftspolitischen Umfeld bis heute. \nDie Werke von Silvina Der Meguerditchian werden in zahlreichen nationalen und internationalen Ausstellungen gezeigt. Die Künstlerin lebt und arbeitet in Berlin. \n  \nEin Teil von Draussenstadt\,  \ngefördert vom Berliner Projektfonds Urbane Praxis und der Senatsverwaltung für Kultur und Europa  \n  \nFor further information: \nhttps://www.atrans.org   |   https://www.silvina-der-meguerditchian.de \nInstagram: @atrans   |   @silvinadermeguerditchian \nFacebook: atransorg  |  silvina.dermeguerditchian
URL:https://www.projektraeume-berlin.net/termin/a-trans-feat-silvina-der-meguerditchian_-durch-und-durch/
LOCATION:Vitrine U-Zoologischer Garten (U9)\, Hardenbergplatz\,\, Berlin\, Berlin\, 10787\, Deutschland
CATEGORIES:Performance,Vernissage
ATTACH;FMTTYPE=image/jpeg:https://www.projektraeume-berlin.net/wp-content/uploads/2022/11/A-TRANS_Zusammen_Silvina_Der-Meguerditchian--scaled.jpg
ORGANIZER;CN="A TRANS":MAILTO:in@atrans.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220913T180000
DTEND;TZID=Europe/Berlin:20220913T190000
DTSTAMP:20260531T160835
CREATED:20220906T170336Z
LAST-MODIFIED:20220908T055805Z
UID:15040-1663092000-1663095600@www.projektraeume-berlin.net
SUMMARY:A trans feat. Roland Stratmann _ LIKE ALWAYS
DESCRIPTION:  \nFor the installation Like Always\, Roland Stratmann draws on his series of postcard images. The starting point are collected handwritten and stamped postcards from all over the world. Large-scale ink drawings with pictorial motifs of our media-influenced memories overlay the postcard conglomerate assembled into a tapestry. Stratmann combines messages and standard formulations filtered from the pool of collective messages with pictorial motifs detached from their original context. Symbols of intercultural misconceptions and interpretations emerge. \nIt is like always. As if we had not been away at all.  – an open message about acceptance and knowledge\, about truth and one’s own truths\, the lost paradise\, and one’s perception of it. \nRoland Stratmann studied at the Berlin University of the Arts. His works are shown in numerous national and international exhibitions. He lives and works in Berlin. \n___________ \nFür die Installation Like Always greift Roland Stratmann auf seine Werkreihe der Postkartenbilder zurück. Ausgangspunkt sind gesammelte handgeschriebene\, frankierte und abgestempelte Postkarten aus der ganzen Welt. Großflächige Tuschezeichnungen mit Bildmotiven unserer medial geprägten Erinnerung überlagern das zum Wandteppich zusammengefügte Postkartenkonvolut. Stratmann verbindet aus dem Pool der kollektiven Mitteilungen gefilterte Botschaften und Standardformulierungen mit den aus ihrem ursprünglichen Kontext herausgelösten Bildmotiven. Es entstehen Sinnbilder der interkulturellen Verkennungen und Interpretationen. \nIt is like always. As if we had not been away at all. (Es ist wie immer. Als ob wir gar nicht weg gewesen wären.) – eine offene Botschaft über Annahme und Erkenntnis\, über Wahrheit und eigene Wahrheiten\, das verlorene Paradies und seine Wahrnehmung darüber. \nRoland Stratmann studierte an der Universität der Künste Berlin. Seine Werke werden in zahlreichen nationalen und internationalen Ausstellungen gezeigt. Er lebt und arbeitet in Berlin. \nEin Teil von Draussenstadt\,  \ngefördert vom Berliner Projektfonds Urbane Praxis und der Senatsverwaltung für Kultur und Europa 
URL:https://www.projektraeume-berlin.net/termin/a-trans-feat-roland-stratmann-_-like-always/
LOCATION:Vitrine U-Zoologischer Garten (U9)\, Hardenbergplatz\,\, Berlin\, Berlin\, 10787\, Deutschland
CATEGORIES:Ausstellung
ATTACH;FMTTYPE=image/jpeg:https://www.projektraeume-berlin.net/wp-content/uploads/2022/09/Adameva_Like-Always_300.jpg
ORGANIZER;CN="A TRANS":MAILTO:in@atrans.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220812T170000
DTEND;TZID=Europe/Berlin:20220812T210000
DTSTAMP:20260531T160835
CREATED:20220809T151227Z
LAST-MODIFIED:20220811T114603Z
UID:14940-1660323600-1660338000@www.projektraeume-berlin.net
SUMMARY:Vague
DESCRIPTION:Kallirroi Ioannidou\nMarkus Jäntti-Tuominen\nOscar Veyrunes\nCarolin Bernhofer \nEröffnung: Freitag\, 12.08.2022\, 18-22Uhr\n12.08 – 21.08.2022 \nBezug nehmen\, geben\, verweigern.\nMit Bezügen spielen\, Fährten legen\, Fallen lösen. \nVier künstlerische Positionen versammeln sich um Etwas\, das als auslotendes  bezugnehmen beschrieben werden könnte\, als ein permanentes (Sich) Verorten im Wandel von Sein und Welt. Die einzelnen künstlerischen Positionen entsprechen sich dabei nicht in Herangehensweise\, Materialität oder Narrativ. Dennoch erzeugen sie ein vielschichtiges Netz an Beziehungen und Verweisen\, an gegenseitiger Infragestellung und Verstärkung. Letztlich ist es eine Dynamik\, die aus der Zusammenstellung dieser vier Positionen hervorgeht. Alle KünstlerInnen leben und arbeiten vorwiegend in Berlin. Teils sind sie daneben auch in anderen europäischen Ländern tätig und beheimatet. Der Hilbertraum als ein offener\, das Unerwartete erwartender Ort ist ideal\, dieser Dynamik und der daraus entstandenen Ausstellung Vague eine neue Herberge zu geben. \nEin genereller Bezug kann durch Materialität\, gegebene Örtlichkeit oder bekannte Erzählungen entstehen. Von der Straße Aufgelesenes und andere Fundstücke ermöglichen einen Übergang von Außen nach Innen\, vom Allgemeinen zum Besonderen. \nAuch Linien gehen über\, von einer Sache zur andern\, von schwarz nach weiß.\nFarben mischen sich und Gesichter zeichnen sich dabei ab.\nMetall schimmert und das Wasser plätschert leise. \nDas alles ist Heimatstadt und Weltgeschehen. Mythos und Vision.\nSie sind Ausgangspunkte und Bezugssystem. Stehen im Kontext von Virtualität und Medialität\, von Zeitlichkeit und Konsum.\nWerden verhandelt und vertauscht\, verwandelt und verhöhnt. Ihre Bedeutung verschwindet oder wächst über sich selbst hinaus.\nBis die Erinnerung verschwimmt und Neues sich anbahnt. Humor mischt sich mit ins Feld. Danach wieder die Distanz.\nRealität wird zur vagen Vermutung\, die eigene Verortung zum bleibenden Rätsel. \nEingeladen von Hannah van Ginkel \ncarolinbernhofer.de\nkallirroiioannidou.com\nmarkusjaentti.com\noscarveyrunes.com
URL:https://www.projektraeume-berlin.net/termin/vague/
LOCATION:HilbertRaum\, Reuterstr. 31\, Berlin\, Berlin\, 12047\, Deutschland
CATEGORIES:Vernissage
ATTACH;FMTTYPE=image/jpeg:https://www.projektraeume-berlin.net/wp-content/uploads/2022/08/Titelbild_Vague.jpg
ORGANIZER;CN="HilbertRaum":MAILTO:info@hilbertraum.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220707T180000
DTEND;TZID=Europe/Berlin:20220707T190000
DTSTAMP:20260531T160835
CREATED:20220629T195750Z
LAST-MODIFIED:20220701T152302Z
UID:14900-1657216800-1657220400@www.projektraeume-berlin.net
SUMMARY:A trans feat. Kuno Matthias Ebert _  Die Diktatur des Zufalls – Part V
DESCRIPTION:(Please scroll down for English version ) \n  \nIst es Zufall? \noder\, \nist das Wesen der Wirklichkeit\, das was wir aus Myriaden von Möglichkeiten als Wirklichkeit schöpfen? \nAber\, es gibt Dinge die waren schon vor uns da\, \nes gibt Dinge – uns selber – \nwir sind wie Pflanzen wir wachsen und vergehen\, \nselbst Geschöpfe\, \nselbst nur eine Möglichkeit aus Myriaden. \n  \nA trans lädt ein\, sich dem Thema A Lost Paradise City in künstlerischen Modellen und Herangehensweisen zu nähern. Kuno M. Eberts vorwiegende Ausdrucksformen sind die Malerei und Keramik. Er entwickelte seine Malweise nach dem Studium in Abgeschiedenheit auf dem Land\, wo er über die Jahre den Ausstellungsort “ Kunsthalle Hilsbach” aufgebaut hat. Er ist aktives Mitglied in dem von Künstler*innen betriebenen Projektraum HilbertRaum in Berlin. \n  \n(The Dictatorship of Coincidence – Part V) \nIs it a coincidence? \nOr is the essence of reality\, \nThat which we create out of the myriads of possibilities? \nBut\, there are beings that were already there before us\, \nThere are beings – ourselves – \nWe are like plants we grow and pass away\, \nOurselves creatures\, \nOurselves simply a possibility out of a myriad. \nA trans invites you for a closer look into the artistic models and methods around the theme A Lost Paradise City. Kuno M. Ebert’s primary forms of expression are painting and ceramics. He developed his painting style living in seclusion in the countryside after his studies were finished\, where he over the years built up the exhibition space Kunsthalle Hilsbach. He is an active member of the artist-run project space HilbertRaum in Berlin.
URL:https://www.projektraeume-berlin.net/termin/a-trans-feat-kuno-matthias-ebert-_-die-diktatur-des-zufalls-part-v/
LOCATION:Vitrine U-Zoologischer Garten (U9)\, Hardenbergplatz\,\, Berlin\, Berlin\, 10787\, Deutschland
CATEGORIES:Ausstellung,Projekt im öffentlichen Raum,Vernissage
ATTACH;FMTTYPE=image/jpeg:https://www.projektraeume-berlin.net/wp-content/uploads/2022/06/Kuno-Ebert_Atrans-web.jpg
ORGANIZER;CN="A TRANS":MAILTO:in@atrans.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220210T180000
DTEND;TZID=Europe/Berlin:20220210T190000
DTSTAMP:20260531T160835
CREATED:20220202T125050Z
LAST-MODIFIED:20220202T125050Z
UID:14544-1644516000-1644519600@www.projektraeume-berlin.net
SUMMARY:A trans feat. Crawford and Guéneau _ LOST
DESCRIPTION:Louise Crawford and Stéphan Guéneau:  LOST \n“LOST” in the A trans Vitrine of Zoologischer Garten Underground station on the U9 Line in Berlin marks the artists presence in this urban setting. A neon tag taking the first two letters from their forenames creates a playful paradox on navigating through a city’s organized urban network. \nLouise Crawford and Stéphan Guéneau live and work as artists in Berlin. \nA KRAATZ project within the series A Lost Paradise City. \nExhibition \n11.02.2022 – 09.04.2022     Schaufenster 24h \n  \nVitrine U-Zoologischer Garten (U9) in 10787 Berlin \nOpening  Thursday\, 10.02.2022           at 7 pm \n  \n 
URL:https://www.projektraeume-berlin.net/termin/a-trans-feat-crawford-and-gueneau-_-lost/
LOCATION:Vitrine U-Zoologischer Garten (U9)\, Hardenbergplatz\,\, Berlin\, Berlin\, 10787\, Deutschland
CATEGORIES:Ausstellung,Projekt im öffentlichen Raum,Vernissage
ATTACH;FMTTYPE=image/jpeg:https://www.projektraeume-berlin.net/wp-content/uploads/2022/02/Crawford-Gueneau_Lost.jpg
ORGANIZER;CN="A TRANS":MAILTO:in@atrans.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20211212T230000
DTEND;TZID=Europe/Berlin:20211213T223000
DTSTAMP:20260531T160835
CREATED:20211208T195146Z
LAST-MODIFIED:20211209T080606Z
UID:14490-1639350000-1639434600@www.projektraeume-berlin.net
SUMMARY:A trans feat. ICONOCLASTS 3: Concha Argüeso
DESCRIPTION:Why not a rhinoceros? \nSometimes a good question can be answered calmly. Sometimes the question involves a confrontation and we can only hope that we will be able to come up with something. \nLothar Frenz claims in his book „Nashörner. Ein Porträt.“ that this animal appears again and again in the history of art when a new age is in the making. \nIn the light and sound installation by Concha Argüeso sited in Zoologischer Garten vitrine\, we come face-to-face with the drawing of a stampeding rhinoceros. The illuminated animal shows its beautiful skin made of wax\, while at the same time making sounds. The rhinoceros seems to be in a hurry to jump from the past into the future. \nBut is it afraid\, is it angry? Can we make contact with it\, is the rhinoceros our only chance to escape into the unknown? \nConcha Argüeso lives and works as an artist in Berlin and Bilbao\, Spain. \nFor further information: \nhttps://www.atrans.org \nFacebook: atransorg \nInstagram: @atrans \nhttps://www.conchaargüeso.eu \nFacebook: conchargueso \nInstagram: #conchargueso \nSupported by | Mit freundlicher Unterstützung der Senatsverwaltung für Kultur und Europa\, Stiftung für Kulturelle Weiterbildung und Kulturberatung und ist ein Teil von DRAUSSENSTADT 
URL:https://www.projektraeume-berlin.net/termin/a-trans-feat-iconoclasts-3-concha-argueeso/
LOCATION:Vitrine U-Zoologischer Garten (U9)\, Hardenbergplatz\,\, Berlin\, Berlin\, 10787\, Deutschland
CATEGORIES:Installation
ATTACH;FMTTYPE=image/jpeg:https://www.projektraeume-berlin.net/wp-content/uploads/2021/10/A-Trans_Argueesp_Nashorn.jpg
ORGANIZER;CN="A TRANS":MAILTO:in@atrans.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20211016T180000
DTEND;TZID=Europe/Berlin:20211016T190000
DTSTAMP:20260531T160835
CREATED:20211009T142856Z
LAST-MODIFIED:20211009T160036Z
UID:14296-1634407200-1634410800@www.projektraeume-berlin.net
SUMMARY:A trans feat. Concha Argüeso_Why not a rhinoceros?
DESCRIPTION:Why not a rhinoceros? \nSometimes a good question can be answered calmly. Sometimes the question involves a confrontation and we can only hope that we will be able to come up with something. \nLothar Frenz claims in his book „Nashörner. Ein Porträt.“ that this animal appears again and again in the history of art when a new age is in the making. A TRANS’ concept for this year’s exhibition program An iconic-city as a visionary space for a city of the future seems to anticipate this wave of change. \nIn the light and sound installation by Concha Argüeso sited in Kleistpark vitrine\, we come face-to-face with the drawing of a stampeding rhinoceros. The illuminated animal shows its beautiful skin made of wax\, while at the same time making sounds. The rhinoceros seems to be in a hurry to jump from the past into the future. \nBut is it afraid\, is it angry? Can we make contact with it\, is the rhinoceros our only chance to escape into the unknown? \nConcha Argüeso lives and works as an artist in Berlin and Bilbao\, Spain. \n  \nFor further information: \nhttps://www.atrans.org \nFacebook: atransorg \nInstagram: @atrans \nhttps://www.conchaargüeso.eu \nFacebook: conchargueso \nInstagram: #conchargueso \n  \nSupported by | Mit freundlicher Unterstützung der Senatsverwaltung für Kultur und Europa
URL:https://www.projektraeume-berlin.net/termin/a-trans-feat-concha-argueeso_why-not-a-rhinoceros/
LOCATION:Berlin
CATEGORIES:Ausstellung,Vernissage
ATTACH;FMTTYPE=image/jpeg:https://www.projektraeume-berlin.net/wp-content/uploads/2021/10/A-Trans_Argueesp_Nashorn-1.jpg
ORGANIZER;CN="A TRANS":MAILTO:in@atrans.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20211007T180000
DTEND;TZID=Europe/Berlin:20211007T190000
DTSTAMP:20260531T160835
CREATED:20210929T123436Z
LAST-MODIFIED:20210930T061004Z
UID:14228-1633629600-1633633200@www.projektraeume-berlin.net
SUMMARY:A trans feat. ICONOCLASTS 2: Marcus Golter
DESCRIPTION:Within DRAUSSENSTADT program BERLIN \nA trans feat. ICONOCLASTS 2\nMarcus Golter_SELFIESANALOG \nExhibition 08.10.2021 – 05.12.2021   Show-window 24h\nVitrine U – Zoologischer Garten (U9) in 10787 Berlin \nSmall sized portraits\, modeled and formed by hand and thereby based on cell phone photos – these are SELFIESANALOGUE. In this increasingly digital age\, these sculptures set an analogue counterpoint. The small sized format allows the artist to approach his counterpart in a very playful way. Because that is exactly what a portrait in art should try to achieve: to come as close as possible to the essence of a person. \nMarcus Golter lives and works as a sculptor in Potsdam. \nFor further information:\nhttps://www.marcus-golter.de \nFacebook: marcusgolter\nInstagram: @marcusgolter \nSupported by Senatsverwaltung für Kultur und Europa\,\nStiftung für Kulturelle Weiterbildung und Kulturberatung\nund ein Teil von DRAUSSENSTADT
URL:https://www.projektraeume-berlin.net/termin/a-trans-feat-iconoclasts-2-marcus-golter/
LOCATION:Vitrine U-Zoologischer Garten (U9)\, Hardenbergplatz\,\, Berlin\, Berlin\, 10787\, Deutschland
CATEGORIES:Ausstellung,Projekt im öffentlichen Raum,Vernissage
ATTACH;FMTTYPE=image/jpeg:https://www.projektraeume-berlin.net/wp-content/uploads/2021/09/Selfies_Group_web_oB.jpg
ORGANIZER;CN="A TRANS":MAILTO:in@atrans.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210812T180000
DTEND;TZID=Europe/Berlin:20210812T190000
DTSTAMP:20260531T160835
CREATED:20210804T182815Z
LAST-MODIFIED:20210805T061111Z
UID:13968-1628791200-1628794800@www.projektraeume-berlin.net
SUMMARY:A trans feat. Opening Panos Balomenos_ me\, myself and I
DESCRIPTION:A trans offers a public forum for contemporary discourse and research into cultural paradigms\, contemporary lifestyles\, and new experimental tendencies in urban practices and identities. \nThe word iconic referred since the 17th century to a picture\, it’s representation\, or a portrait. Panos Balomenos presents a series of 4 paintings that aim to comment on the hysterical and constant presence of one-self on social media. Each portrait response to a perfectly filtered and immaculate\, though fake and inhuman\, world. \nPanos Balomenos lives and works as an artist between Helsinki\, Finland and Athens\, Greece.
URL:https://www.projektraeume-berlin.net/termin/a-trans-feat-opening-panos-balomenos_-me-myself-and-i/
LOCATION:Berlin
CATEGORIES:Ausstellung,Vernissage
ATTACH;FMTTYPE=image/jpeg:https://www.projektraeume-berlin.net/wp-content/uploads/2021/08/CCEF36AC-95DE-458E-A5FB-F81A655CECBA.jpeg
ORGANIZER;CN="A TRANS":MAILTO:in@atrans.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210618T180000
DTEND;TZID=Europe/Berlin:20210618T190000
DTSTAMP:20260531T160835
CREATED:20210613T104600Z
LAST-MODIFIED:20210613T104656Z
UID:13185-1624039200-1624042800@www.projektraeume-berlin.net
SUMMARY:Opening A trans feat. Alim Pasht-Han _ yoroi
DESCRIPTION:Opening Friday\, 18.06.2021   7 PM \nExhibition 18.06.2021 – 08.08.2021     Schaufenster 24h \nVitrine U – Kleistpark (U7) in 10783 Berlin \nThe artist is present. \nPlease notice\, we kindly ask you to accept the recent SARS-CoV-2-Infektionsschutzmaßnahmenverordnung of Berlin. \n  \nFor further information: \nFacebook: atransorg \nInstagram: atrans \nhttps://www.pasht-han.com \nInstagram: @alimpashthan \nThe artist Alim Pasht-Han tailors the topic of the Iconic City with a depiction of a suit of armor as an icon\, that at the same time has something iconoclastic about it. \nRepresentations of soldiers\, heroes\, and warriors are evoked. Images of newer omnipresent superheroes or Transformers from contemporary computer games are slipped in. Avatars\, like icons\, exist to be venerated and to create an existential connection between the viewer (or user) and that which is portrayed. One often also uses masks\, shells\, and armor to remain anonymous. \nAlim Pasht-Han explores the Japanese tradition of armor called ō-yoroi. Historians have found parallels between the samurai codex and the traditions of Circassian warriors from his homeland. Despite the relatively light construction of yoroi\, the defensive properties of the armor is highly complex. Most historical martial arts had techniques to defeat an opponent in armor. Armor breaker. These weaponless techniques target breaking the “skeleton” of the armor to unbalance the fighter. \nThe installation is made up of a delicate interplay between attacking\, armor\, defense\, security\, and vulnerability. Alim Pasht-Han’s artificial armor is made out of fragile porcelain. Individual objects\, modules\, handcrafted set pieces\, and industrial prefabricated forms yield an overall artistic composition. The theatrical sacred presentation underlines the character of the glass showcase. \nAlim Pasht-Han engages with sculpture\, installation\, and graphic design and since 2006 has made a number of artworks out of porcelain. He lives and works as an artist in Halle/Saale and Naltschik\, in the Kabardino-Balkarian Republic of the North Caucuses. \nPhoto: Alim Pasht-Han_yoroi © Alim Pasht-Han\, 2021 \n  \nSupported by | Mit freundlicher Unterstützung der Senatsverwaltung für Kultur und Europa
URL:https://www.projektraeume-berlin.net/termin/a-trans-feat-alim-pasht-han-_-yoroi/
LOCATION:Berlin
CATEGORIES:Rauminstallation
ATTACH;FMTTYPE=image/jpeg:https://www.projektraeume-berlin.net/wp-content/uploads/2021/06/Yoroi.Alim_.jpg
ORGANIZER;CN="A TRANS":MAILTO:in@atrans.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210415T173000
DTEND;TZID=Europe/Berlin:20210415T173000
DTSTAMP:20260531T160835
CREATED:20210402T112213Z
LAST-MODIFIED:20210416T060753Z
UID:12895-1618507800-1618507800@www.projektraeume-berlin.net
SUMMARY:A trans feat. Bettina Weiß_Unter der Sonne (Under the Sun)
DESCRIPTION:Invited to approach the themes of myth\, world view\, utopia\, and icons in relation to space and the public sphere in an artistic way\, Bettina Weiß has developed a painting installation for the A trans Vitrine. \nThe works are a painterly meditation on the symbolic iconic representation of the sun motif produced for this location. \nThe sun as the center point of our planetary system shines out of itself as the only star and is the powerhouse of all life on earth. \nEvery building made by humans and animals are oriented towards the light of the sun\, it also sets the pace of life. Since time immemorial\, the sun has been a symbol of vitality\, divinity\, power\, and life itself – its daily return was invoked by means of cultic and magical rituals. \nIt has been represented in infinite forms throughout human history. \nThe image of the sun is like a primordial icon. \nBettina Weiß has been working for many years on a painterly pictorial language in which she intuitively explores spaces in a constructive way. Starting from mostly geometric forms\, she combines different colour materials on wood or canvas supports in order to find an energy-conserving solution for each picture. \nIn the stage-like\, underground exhibition situation of the showcase\, semicircular wooden pictures are hung and placed on a coloured background in relation to each other. \nThe motif of the sun is quoted here as radiant and glistening in its own right\, and is depicted in potentiated form in the same way that rays are often depicted as strokes. \nAnother form is that of the circle\, which is supposed to reflect the rising and setting sun situation in various superimposed formations and colour temperatures. The use of the semicircle allows for a splintering and mirroring of one version to the other. This seems like a way to symbolize infinite variations both of representation and in terms of time and space. \nBettina Weiß lives and works as an artist in Berlin. \n  \nhome \n \nFacebook: atransorg \nInstagram: atrans \nhttps://www.bettinaweiss.net \nFacebook: Bettina.Weiß \nInstagram: @bettinabetti
URL:https://www.projektraeume-berlin.net/termin/a-trans-feat-bettina-weiss_unter-der-sonne-under-the-sun/
LOCATION:Berlin
CATEGORIES:Ausstellung
ATTACH;FMTTYPE=image/jpeg:https://www.projektraeume-berlin.net/wp-content/uploads/2021/04/Unter_der_Sonne_©Bettina-Weiss-2021-scaled.jpg
ORGANIZER;CN="A TRANS":MAILTO:in@atrans.org
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BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210205T180000
DTEND;TZID=Europe/Berlin:20210205T180000
DTSTAMP:20260531T160835
CREATED:20210205T182929Z
LAST-MODIFIED:20210205T182929Z
UID:12725-1612548000-1612548000@www.projektraeume-berlin.net
SUMMARY:A trans feat. Martin Juef_ZAR-Noturnos
DESCRIPTION:Martin Juef’s images at first glance appear somewhat unclear: meticulous drawings look like print products\, handmade collages like computer generated images\, and blurry photographs like paintings. This ambiguity brings up questions of how the image was made. In this way the images by Martin Juef are poetic in the literal sense\, and they conceptualize the very fundamentals of their own construction (poiesis = to make). \nWhile taking photographs\, the way the images are made is for the most part given over to an apparatus that the artist calls the “Realism Machine”. He uses a so-called travel camera\, which through the spontaneous choice of motifs – usually in situations with lots of movement in difficult lighting – bring it to the boundaries of its optical performance. \nFor the topic An Iconic City Martin Juef is exhibiting the photograph ZAR  from the series Noturnos. They are photographs that were taken during late night strolls in urban spaces. \nThe ZAR photograph was taken in 2018 in Belém\, the state capital of Pará in the north of Brazil\, where the artist lived for four years. It shows excerpts of nighttime preparations for a Carnival parade happening the next day. \nMartin Juef lives and works as an artist and curator in Berlin and Leipzig. \nFor further information: \nwww.atrans.org \nFacebook: atransorg \nInstagram: atrans \nwww.martin.juef.de \nFacebook: martin.juef \n  \n  \n 
URL:https://www.projektraeume-berlin.net/termin/a-trans-feat-martin-juef_zar-noturnos/
LOCATION:Berlin
CATEGORIES:Ausstellung,Projekt im öffentlichen Raum
ATTACH;FMTTYPE=image/jpeg:https://www.projektraeume-berlin.net/wp-content/uploads/2021/02/ZAR-Noturnos-Insta.jpg
ORGANIZER;CN="A TRANS":MAILTO:in@atrans.org
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